The novelist Paul Bailey, who died in October aged 87, was celebrated for a comic brilliance, intense sympathy extending to his deeply imperfect creations, and an intelligence that avoided being sterile. His fiction often explored the influence of recollections on human existence, driven by sharp, rhythmic dialogue. Apart from fiction, he also excelled as a memoirist, poet, and moreâthis is an overview to the volumes he authored.
The author appeared as a social being, a skilled communicator who adored casual small talk, according to a fictional persona. Alongside pal author Beryl Bainbridge used to view the serial drama Coronation Street and debrief by phone. This pleasure in informal dialogues appears within his novels Trespasses (1970) along with Peter Smartâs Confessions (released in 1977). The two present a central male figure besieged by comic, maddening, theatrical individuals, usually kin whose influence is inescapable. âWhatâs so great about being normal?â Ralphâs mum questions in the book Trespasses after he discloses his homosexuality. Similar to spending time with your smartest, cheekiest pal.
Paul Bailey authored excellently regarding elderly life, early and late in his career. His debut novel At the Jerusalem (published in 1967) follows the life of Faith Gadny as she adjusts to a nursing home, where other occupants offer warmth lacking from staff, whose concern via queries âWhy not view the TV, ladies?â. In his penultimate novel the title Chapmanâs Odyssey (from 2011), a senior in hospital alternates between clashing with physicians (âI consume only fine winesâ, he affirms after reprimands over liver tests) and confronting past remembrances from his parent, romances, fictional icons including Pip by Dickens and Emma by Austen. Each volume contain humorous dialogues yet shadowed by approaching finality. In Baileyâs fiction, laughter is suspect. In that book, âthe matron grinned, then ended it abruptlyâ; The character giggles with unease when confronted about her behavior. In Chapmanâs Odyssey, Harry advises that âmy laughter is not genuineâ. Readersâ smiles, however, are authentic.
In addition to fiction, Paul Bailey served as a talented life writer, issuing two personal accounts. An Immaculate Mistake (1990) stands as a masterpiece of recollection, its title derived from his mumâs statement that âYou were our mistake. You ought not to be here, by rights.â. (âAged, she was releasing her confidences,â he adds. âShe understood this would captivate me.â) Here we see the roots of flawed, caring, annoying mothers and fathers throughout his books. It also paints an evocative portrait of a boy discovering his sexuality in the 1940sâ50s, when same-sex acts were criminal, and his relatives considered it strange for a boy to buy his mother flowers; and of an aspiring actor (Bailey acted prior to authoring) who could recite Hamlet as a teen. His subsequent life story A Dogâs Life (from 2004) focuses on life with his mongrel puppy Circe, his former partner David, his affection for Romaniaâthat influenced future works including Kitty and Virgil, Uncle Rudolf, as well as The Princeâs Boyâand plenty of gossip, featuring an anecdote involving author Iris Murdoch labeling a listener an âidiotâ.
Paul Baileyâs books tend to be shortâthe notable Old Soldiers (1980) is under 100 pagesâbut for something shorter, try his poetry from his later career. The pair of volumes Inheritance (published in 2019) and also Joie de Vivre (2022) showcase his humor, compassion, accuracy in condensed form. These poems are full of mortality and existence. Two love themes recur: for his mother (âI feel nearer to you nowâ/ I must confessâ/ than when you livedâ) and for his spouse Jeremy Trevathan. Within the poem Amazement, he writes of the pleasure in viewing âa silly TV showâ as a couple, finishing with: âItâs awesome, in its way, this act of eating cheese / and drinking wine, as the world keeps darkening.â
It is widely accepted that Baileyâs most ambitious novel is the novel Gabrielâs Lament, shortlisted for the Booker prize in 1986. (He also judged the prize in 1982, an experience he despised.) This was the book Bailey felt proudest of, even though âit consumed all his energyâ. It tells the narrative of Gabriel Harvey, with a missing mother while his dad transforms into an unbearable snob upon receiving money, with possible connections. Itâs a depiction of London in the 1900s, a tale of emotional unraveling, and as funny and sad like his other works. Additionally, it prompted a follow-up, Sugar Cane (1993), that he investigated by visiting brothels as an observer.
Elara Vance is a UK-based astrophysicist and science communicator with over a decade of experience writing about space and technology.